Hope and Agency: Doing What You Can When You Can

I read an article recently in which the author posits, “ . . . hope is a longing for a future condition over which you have no agency; it means you are essentially powerless.”

In some situations, sure. If you regard hope akin to the rock Charlie Brown received in his trick-or-treat bag and don’t use it; hope will be precisely that, not because of its nature but because of the eye of the beholder.

But there are far more situations in which hope inspires us to be proactive.

Hope exists not to change our situations but to change us. Without it, we die.

Hope helps us find meaning in chaos. It’s the force that gives us the will to seek out the intangibles of love, peace, and joy. It is the fire that stokes our will to live.

I reject the notion that I surrender my agency by saying “I hope” for a particular outcome.

When I think back to our ancestors who lived and died as enslaved people and the inhumane circumstances they lived through, I am overwhelmed by the horror, terror, and sheer brutality of what they endured. But they made the best of what they had, and while they may not have “thrived,” their fortitude did not let them give up. When facing the gaping, raging mouth of death day in and day out, their hope for a better day for their descendants motivated them to persevere for our indisputably better day. Note I said “better” and not “perfect.”

Hope exists to prop us up, that golden thread humanity clings to to guide us through this broken and beautiful world.

I reject the notion that I surrender my agency by saying “I hope” for a particular outcome. When I utter the words in the first person present tense, I may not know enough about the situation to achieve the desired result.

“I hope to write a book one day.”

“I hope things go better for me on Mastodon than they did on Twitter.”

“I hope I get cast in that show someday.”

Some say that hope ceases to be when we realize the degree of agency we actually have. More agency, less hope? Again, I disagree.

I have uttered aspirations for things countless times. And those statements of longing were like seeds planted in the ground.

Hope can also act as the carrot on the stick, the prize that motivates us to take action. In the case of my hopes to perform in a show . . .

In 1991, I saw the Radio City Christmas Spectacular for the first time and instantly thought, ”I can do that. I want to do that. I hope I can get to an audition someday.” The likelihood of it coming to fruition was slim to nil. At the time, I had recently landed a job as a graphic designer with Disney University (the internal communications department for Walt Disney World). I placed the Radio City hope on my Bucket List.

Some say that hope ceases to be when we realize the degree of agency we actually have. More agency, less hope? Again, I disagree.

Eight years after seeing the Christmas Spectacular, I was in the right place, at the right time, and learned about the auditions for the show. Yes, I exercised a large amount of agency in securing an audition, but large amounts of hope were still necessary to get there on time. That fabled L.A. traffic. It’s a thing. A very real thing.

Before the actual audition, even though I felt prepared, there was always the chance the audition would be wildly challenging, and I wouldn’t perform well. Both high hope, almost to the level of anxiety, and high agency were in effect.

And then there was the worst part of an audition: the waiting. That phase was marked by high levels of hope but no agency. There was nothing else I could do to bring about my desired outcome. The results were entirely out of my hands. All I could do was – you guessed it – hope for the best. I thought I nailed the audition, but that was my subjective opinion. If you’ve worked in entertainment, you know roles can be cast for any number of reasons.

Shortly after the audition, I accepted an ideal position in a different career. Shortly after that, I was offered a role in the Christmas Spectacular, but the folks with the new position wouldn’t allow me time off to do the show, so I had to decline the offer. But the hope was still in the back of my mind.

Two years later, the ideal job ended abruptly, thanks to layoffs. Through a series of seemingly unrelated coincidences, my actions motivated by hope, landed me the gig! A whole B-Story of life lessons about patience, control, and just letting go ran concurrently with all this business, but I’ll save that for another time.

If I choose to no longer hope for something, it’s never because I didn’t need the hope.

From my debut in the Christmas show to my final performance on the great stage at Radio City Music Hall twelve years later, hope and agency worked in tandem, sometimes simultaneously; other times, one took the lead while the other took a break, and vice versa.

I say with absolute certainty that hope and agency are not sedentary rivals or adversaries but an inseparable and dynamic duo with different skills and functions.

As far as giving up on hope? First, let me be clear here. I never give up on hope. If I choose to no longer hope for something, it’s never because I didn’t need the hope. It’s because I’ve decided I didn’t need the object or outcome I hoped for, or the time isn’t right. In those instances, I fold my hope up and tuck it into my heart for the next time.

The TL;DR in all this is that hope can be a strong expression of faith that things will ultimately work together for good, even though it may not happen when we want. But for hope to be helpful, you have to put it to work. Let it motivate you to act when you can, and let go when you should. And more often than not, you will learn, grow, and mature in the process.

Love one another.

It’s Giving Tuesday–Let’s Do This!

If you know anything about me, you know that I like to think of myself as independent. Ask anyone in my family, and they’ll tell you I was always the kid who wanted to do everything for himself. The realization that I was physically different than all the other kids–and the adults–came hard and fast, along with a desire for others to hold me in the same regard as I did: capable, talented, and just as likable as everyone else. Just noticeably shorter.

As you might have guessed, I’ve been a closet advocate for racial equity and equality for decades, first for my benefit and but now for others. Being “othered” and seeing it done to others is nothing new. But neither is knowing there are people out there to help set things right, to open career doors (like Cindy White, Dale T. Moore, and Valerie Oberle), to encourage and inspire me to keep on keepin’ on (Elsie Gene Adams, Alison Queal Warrell), and who magnanimously helped make my dreams a reality (Kathy Van Tassell, Joseph Gardner, Linda Haberman, and countless more).

Was it the Racism or the Misogyny?

It was both. It was misogynoir — hatred of, aversion to, or prejudice against Black women. And the world witnessed it perpetrated on a national scale.

Upon learning that Vice President Kamala Harris would be the Democratic nominee for president, my gut reaction was: White America won’t elect a Black woman president because its racism and misogyny are alive and well and thriving in this country and donning MAGA hats. But the outpouring of support Vice President Harris and Governor Walz received throughout their campaign—even from “White Dudes for Harris”—gave me hope that America had learned from the rampant death, violence, and malfeasance the previous Republican president wrought during his term and had enough, set aside its racism, and was ready to move on and follow its better angels. 

But that was not the case at all. 

On Cake, Candidates, and Abject Hate

Photo by Rob Wicks on Unsplash

On Cake

My parents used to wield an old saying when I was a kid: you can’t have your cake and eat it, too. Maybe your parents used it, too. I vaguely understood it meant that you can’t have it both ways. If I had cake—a slice, a cupcake, or an entire cake—I’d eat it. The cake would have fulfilled its purpose and mine. And that would be the end of that.

Notes on a Friendship

Mrs. Elsie Gene Adams (ninety-six years old) and Clay Rivers (fifty-five years old), White Plains, New York; circa 2016.

The following is a reflection on the sixty-two-year friendship between the late Mrs. Elsie Gene Adams and Mr. Clay Rivers. This memorial was given by Mr. Rivers at Grace Episcopal Church, White Plains, New York, on January 27, 2024, at the request of Mrs. Adams’ daughters.


Joan, Jeanette, Cynthia, and Eris, family members, Father Moronta, Grace Episcopal parishioners, friends, and guests—greetings. It’s an honor to be with you today to reflect on our beloved Elsie Gene Adams.

I so wanted to share neat little packaged anecdotes that would hopefully make you smile and bring you, at the very least, a hint of comfort, but I can’t. I am bereft, unmoored, and floundering on storm-tossed waves of sadness and grief. The loss is unspeakable, as no words give meaning to my sorrow. I am a man come undone.

Mrs. Adams was both a second mother and third grandmother to me. Most importantly, she understood me better than anyone else ever has. She was—hands down—my best friend.

I miss her deeply.

Fireworks about the Fireworks

I hope everyone had a safe and enjoyable Fourth of July weekend and holiday. Unfortunately, that was not the case in Highland Park, Illinois, and Philadelphia, and at least eight other locations, as there have been at least ten mass shootings in the United States since July 1. Celebrating America with family and friends with favorite summertime foods and fireworks is a national tradition. It’s a tradition that many look forward to.

There’s no ignoring the partisan divisiveness that’s become de rigueur today. Last Friday, the City of Orlando distributed the following invitation to the city’s fireworks show via its emailed newsletter:

A lot of people probably don’t want to celebrate our nation right now, and we can’t blame them. When there’s so much division, hate and unrest, why on earth would you want to have a party celebrating any of it.

But in all seriousness, you know in your heart, Fourth of July fireworks are amazing, especially when you are standing in 90° heat, 100% humidity, next to 100,000 of your closest friends. In that moment, something takes over and we all become united in an inexplicable bond. Yes, America is in strife right now, but you know what … we already bought the fireworks.

Now there are calls for the Mayor to apologize, assertions that the post was inappropriate for city communications, it was sent out by a raging leftist, and more.

Is the wording cheeky? Yes, it is. It pokes fun at gathering outdoors with far more people than expected in subtropical Florida’s heat and humidity—an experience common to Central Floridians or anyone who’s spent time at any of our world-class theme parks during the summer.

But I don’t think that’s what people have an issue with.

Happy Birthday, Donald Duck!

Image by jinndev.deviantart.com

Living life to the fullest in college became an expensive undertaking. I needed a little more cash to keep my collegiate lifestyle afloat. Christmas break 1981, I applied for a seasonal job at Walt Disney World, knowing they’d usher me into a high-paying office job related to my Communications major for the two weeks of my Christmas break. After waiting in the employment center lobby for what seemed like an eternity, a man in a business suit and a Disney name tag with “Mark” etched into it, greeted me and led me into a small interview room.

“Your application says that you’re interested in a position in our Marketing department?” he asked.

“I thought Marketing would be a good place to start since I’m a Communications major.”

“Unfortunately, at the moment we don’t have any openings in our Marketing department.” Mark paused for a moment, then a smile crept over his face that meant only one thing: he had a brilliant idea.

“Could you hold on for a moment?” he asked.

“Sure,” I said as he made a telephone call. I was special, gifted even, and apparently, my interviewer picked up on it, too. I assumed he was giving me a leg up in the Marketing department!

Home Town Takeover: A Little Reno, A Little Inclusion, A Lot of Love

Ben and Erin Napier, hosts of HGTV’s Home Town Takeover.

HGTV’s new “it” couple and hosts of the smash Home Town, Ben and Erin Napier, are back in a new limited series, Home Town Takeover (HGTV, Sundays, 8:00 p.m. ET/PT). This time around, the Napiers are using their home renovation talents to breathe life into the floundering small town of Wetumpka, Alabama, as seen in the Ewan McGregor and Albert Finney film, Big Fish. And if you’re not careful, you may just pick up a thing or two about inclusion and community along the way.

Home renovation shows are nothing new. HGTV has perfected the art of combining likable hosts, adventures in house hunting and home repair, and the requisite “unforeseen” bump in the road to create the enviable HGTV happy endings we’ve come to expect. But Home Town Takeover takes these familiar pieces and turns them into something bigger and more meaningful than the sum of its parts.

When America Plays the Race Card

Sweethearts, we’re way beyond the do-you-smell-something-burning phase. The whole of the United States of America is engulfed in the flames of systemic racism and codified injustice. Figuratively. And literally.

Evangelical Christians’ Political Choices Aren’t Problematic, Except They Could Get Me Killed

I was raised in a Christian home, attended Sunday school, and was active in my church. An active faith is something I’ve always had (except for those first couple years of college). Since my mid-twenties, I have considered myself an evangelical Christian. Evangelical defined as one who spreads the good news of Christ’s teachings—salvation, redemption, love one another, among others. That was until 2007 when conservative Christians began their power-grab with refashioning the Jesus of the Bible—the itinerant Jewish rabbi who railed against the powerful, the self-important, and the Haves, and taught the importance of caring for the marginalized, the oppressed, and the disenfranchised—into a political savior of their own making.